...[Footnote 2:This poem may have been inspired by the following lines of Alfredde Musset, describing his experience in Venice... 
Gustavo Adolfo Becquer 「Legends, Tales and Poems」
...South had heard from her twice,from Venice and Corfu; long, trivial,ill-spelt letters, lined with a secret wistfulnesshe had not perceived, under thebrave talk of travel...
Various 「Ainslee's magazine, Volume 16, No. 3, October, 1905」
...The killers of doves, squirrels, blackbirds and robins belong in thesame class as the sparrow-and-linnet-killing Italians of Venice,Milan and Turin, and in that company we will leave them...
William T. Hornaday 「Our Vanishing Wild Life」
...Mark's of Venice, oruseless height admitted in order to increase the impressiveness, as innearly every noble building in the world...
John Ruskin 「Lectures on Architecture and Painting」
...The tradition was carried on in Italy at Ravenna and Venice, where theOpus Miserum reached its culmination...
Richard Glazier 「A Manual of Historic Ornament」
...Mosaics in the early churches of Rome,Ravenna, Naples, Venice, Constantinople...
John C. Van Dyke 「A Text-Book of the History of Painting」
...By the disposition of her people Venice was not alearned or devout city...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on art...
John C. Van Dyke 「A Text-Book of the History of Painting」
...It may be concludedwithout error that Venice derived her color-sense and much of herluxurious and material view of life from the East...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Gentile da Fabriano, who was at Venice about 1420,painting in the Ducal Palace with Pisano as his assistant, may havebrought this about...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He taught there in Venice, was the master ofJacopo Bellini, and if not the teacher then the influencer of theVivarinis of Murano...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Bartolommeo was the best of the group, and contended long time inrivalry with the Bellinis at Venice, but toward 1470 he fell away anddied comparatively forgotten...
John C. Van Dyke 「A Text-Book of the History of Painting」
...—Jacobello del Fiore and Semitecolo, allattributions doubtful; Antonio Vivarini and JohannesAlemannus, together altar-pieces Venice Acad...
John C. Van Dyke 「A Text-Book of the History of Painting」
...; Mansueti, large picturesVenice Acad...
John C. Van Dyke 「A Text-Book of the History of Painting」
...This has givenhis art a rather bad name, but judged by his best works in the DucalPalace and the Academy at Venice, he will not be found lacking...
John C. Van Dyke 「A Text-Book of the History of Painting」
...At Venice in the High Renaissance the art-for-art's-sakemotive made the crest of light and color...
John C. Van Dyke 「A Text-Book of the History of Painting」
...THE LATE VENETIANS: The Decadence at Venice, like the Renaissance,came later than at Florence, but after the death of Tintorettomannerisms and the imitation of the great men did away withoriginality...
John C. Van Dyke 「A Text-Book of the History of Painting」
...He is supposed to have studied at Venice, because of hisrich, glowing color...
John C. Van Dyke 「A Text-Book of the History of Painting」
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