...The Imitation theory began to diedown with the rise of Romanticism, which stressed the personal,individual emotion of the artist... 
Jane Ellen Harrison 「Ancient Art and Ritual」
...Gros was a more vacillating man, and by reason of forsaking theclassic subject for Napoleonic battle-pieces, he unconsciously led theway toward romanticism...
John C. Van Dyke 「A Text-Book of the History of Painting」
...The verygist of romanticism was passion...
John C. Van Dyke 「A Text-Book of the History of Painting」
...It was thus, more by suggestion thanrealization, that romanticism sought to give the poetic sentiment oflife...
John C. Van Dyke 「A Text-Book of the History of Painting」
...This was first shown bythe students of Delaroche, though there were a number of movements atthe time, all of them leading away from romanticism...
John C. Van Dyke 「A Text-Book of the History of Painting」
...A recoil from toomuch color in favor of more form was inevitable, but romanticism wasnot to perish entirely...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Wiertz (1806-1865), whose collection of works is to be seen inBrussels, was a partial exposition of romanticism mixed with awhat-not of eccentricity entirely his own...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Something also of German romanticism was its inspiration...
John C. Van Dyke 「A Text-Book of the History of Painting」
...AustinDobson, say, is to the turbulent yet profound romanticism of Heine orBurns...
W. C. Brownell 「French Art」
...Ary Scheffer was aneloquent partisan of romanticism, yet his "Dante and Beatrice" and his"Temptation of Christ" are admirable only from the academic point ofview...
W. C. Brownell 「French Art」
...Gérôme, forexample, feels the exhilaration of the free air of romanticism fanninghis enthusiasm...
W. C. Brownell 「French Art」
...Had Regnault lived, he would have more adequately—or should I say moreplausibly?—marked the transition from romanticism to realism...
W. C. Brownell 「French Art」
...But for the fondness for style integral in theFrench mind and character, it would perceive the contradiction betweenthis romanticism and any canons except such as are purely intuitive andindefinable...
W. C. Brownell 「French Art」
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