例文・使い方で印象づける「renaissance」の覚え方


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...The ancient Greeks had been of Germanic origin; German, too, the great artists of the Italian Renaissance...   The ancient Greeks had been of Germanic      origin; German, too, the great artists of the Italian Renaissanceの読み方
Vicente Blasco Ibanez Charlotte Brewster Jordan 「The Four Horsemen of the Apocalypse」

...With the Renaissance and the widened world of modern thought Africa cameno less suddenly with her new-old gift...   With the Renaissance and the widened world of modern thought Africa cameno less suddenly with her new-old giftの読み方
W. E. B. Du Bois 「Darkwater」

...(now in the Grotte Vaticane), andin other mediæval and Renaissance representations of thecrucifixion of the apostle...   (now in the Grotte Vaticane), andin other mediæval and Renaissance representations of thecrucifixion of the apostleの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...AddingtonSymonds: History of the Renaissance, i...   AddingtonSymonds: History of the Renaissance, iの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...It is in the Renaissance style, and the words from the Gloria in Excelsis ("We praise Thee," etc...   It is in the Renaissance style, and the words from the Gloria in Excelsis (We praise Thee, etcの読み方
George Worley 「Bell's Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield」

...Bartholomew, standing, with nimbus, in the right handa knife, in the left hand a book, under a dome-shaped baldachin orcanopy in the style of the Renaissance, supported on two pilasters...   Bartholomew, standing, with nimbus, in the right handa knife, in the left hand a book, under a dome-shaped baldachin orcanopy in the style of the Renaissance, supported on two pilastersの読み方
George Worley 「Bell's Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield」

...The spirit of their artwas entirely opposed to that of the renaissance architects, for thesuccess of whose designs uniformity and continuity of plan and detailwere absolutely necessary...   The spirit of their artwas entirely opposed to that of the renaissance architects, for thesuccess of whose designs uniformity and continuity of plan and detailwere absolutely necessaryの読み方
A. Clutton-Brock 「The Cathedral Church of York」

...Being closer to the Renaissance thanhis predecessors he was more of a nature student...   Being closer to the Renaissance thanhis predecessors he was more of a nature studentの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The artists may have led thepeople, but the people spurred on the artists, and so the Italian mindwent on developing and unfolding until at last it produced the greatart of the Renaissance...   The artists may have led thepeople, but the people spurred on the artists, and so the Italian mindwent on developing and unfolding until at last it produced the greatart of the Renaissanceの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The inference must not be made that because nature and the antiquecame to be studied in Early Renaissance times that therefore religionwas neglected...   The inference must not be made that because nature and the antiquecame to be studied in Early Renaissance times that therefore religionwas neglectedの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The Early Renaissance was the promise ofgreat things; the High Renaissance was the fulfilment...   The Early Renaissance was the promise ofgreat things; the High Renaissance was the fulfilmentの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Popery, Paganism,Despotism, all the convulsions of Renaissance life threatened butharmed her not...   Popery, Paganism,Despotism, all the convulsions of Renaissance life threatened butharmed her notの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He was one of the great men of the Renaissance, and deservedly holds aplace in the front rank...   He was one of the great men of the Renaissance, and deservedly holds aplace in the front rankの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...And inthis very feature he was one of the first men in Renaissance Italy topaint a picture for the purpose of weaving a scheme of lights anddarks through a tapestry of rich colors...   And inthis very feature he was one of the first men in Renaissance Italy topaint a picture for the purpose of weaving a scheme of lights anddarks through a tapestry of rich colorsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He was one of the very great artists of the world, and the most rapidworkman in the whole Renaissance period...   He was one of the very great artists of the world, and the most rapidworkman in the whole Renaissance periodの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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