例文・使い方で印象づける「renaissance」の覚え方


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...Thus the edifice, begun in the late Gothic style,shows a strong leaning towards the forms of the Renaissance...   Thus the edifice, begun in the late Gothic style,shows a strong leaning towards the forms of the Renaissanceの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...The beautifulfamily mansion, known as la Casa de Pílatos, is still standing, amixture of Gothic, Moorish, and Renaissance designs...   The beautifulfamily mansion, known as la Casa de Pílatos, is still standing, amixture of Gothic, Moorish, and Renaissance designsの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...Perhaps Liberia's greatest citizen was the late Edward WilmotBlyden, who migrated in early life from the Danish West Indiesand became a prophet of the renaissance of the Negro race...   Perhaps Liberias greatest citizen was the late Edward WilmotBlyden, who migrated in early life from the Danish West Indiesand became a prophet of the renaissance of the Negro raceの読み方
W.E.B. Du Bois 「The Negro」

...It maybe, however, that the reference in thetitle is, not to his personal morals, butto his “History of Renaissance Morals,”upon which he was engaged...   It maybe, however, that the reference in thetitle is, not to his personal morals, butto his “History of Renaissance Morals,”upon which he was engagedの読み方
Various 「Ainslee's magazine, Volume 16, No. 3, October, 1905」

...The mediæval and Renaissance customof "laureating" poets on the Capitol was certainly derivedfrom Domitian's institution...   The mediæval and Renaissance customof laureating poets on the Capitol was certainly derivedfrom Domitians institutionの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...The modelling of thefigure is broad and spirited, and will bear comparison with good Italianivories of the Renaissance period...   The modelling of thefigure is broad and spirited, and will bear comparison with good Italianivories of the Renaissance periodの読み方
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」

...The JOURNAL treats of the various branches of archæology and art history--Oriental,Classic, Christian and Early Renaissance...   The JOURNAL treats of the various branches of archæology and art history--Oriental,Classic, Christian and Early Renaissanceの読み方
Various 「The American Journal of Archaeology, 1893-1」

...Transepts were added, and as, one by one, the arts came to theknowledge of the Middle Ages and the Renaissance, each was pressed intothe service of the Cathedral builders...   Transepts were added, and as, one by one, the arts came to theknowledge of the Middle Ages and the Renaissance, each was pressed intothe service of the Cathedral buildersの読み方
Elise Whitlock Rose 「Cathedrals and Cloisters of the South of France, Volume 1」

...The old Cathedral, Notre-Dame, lies in the heart of the town; and takesone back along the years, far past the Renaissance, to those grimmediæval days when even churches were places of defence...   The old Cathedral, Notre-Dame, lies in the heart of the town; and takesone back along the years, far past the Renaissance, to those grimmediæval days when even churches were places of defenceの読み方
Elise Whitlock Rose 「Cathedrals and Cloisters of the South of France, Volume 1」

...On the south-east tower pier is a marble tablet in Renaissance style,erected in 1890 to the memory of Mrs...   On the south-east tower pier is a marble tablet in Renaissance style,erected in 1890 to the memory of Mrsの読み方
H. J. L. J. Massé 「Bell's Cathedrals: The Abbey Church of Tewkesbury」

... A tablet, in the Renaissance style, has recently been affixed to the north wall in memory of Sir Borradaile Savory, Bart...    A tablet, in the Renaissance style, has recently been affixed to the north wall in memory of Sir Borradaile Savory, Bartの読み方
George Worley 「Bell's Cathedrals: The Priory Church of St. Bartholomew-the-Great, Smithfield」

...And many of the renaissance painters were interestedin the subject, Leonardo da Vinci having much to say about it inhis book...   And many of the renaissance painters were interestedin the subject, Leonardo da Vinci having much to say about it inhis bookの読み方
Harold Speed 「The Practice and Science Of Drawing」

...Being closer to the Renaissance thanhis predecessors he was more of a nature student...   Being closer to the Renaissance thanhis predecessors he was more of a nature studentの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...It saw things in symbolicfigures, and when the Renaissance came and art took the lead as one ofits strongest expressions, painting was but the color-thought andform-language of the people...   It saw things in symbolicfigures, and when the Renaissance came and art took the lead as one ofits strongest expressions, painting was but the color-thought andform-language of the peopleの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The Early Renaissance wasbegun...   The Early Renaissance wasbegunの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...The Early Renaissance was the promise ofgreat things; the High Renaissance was the fulfilment...   The Early Renaissance was the promise ofgreat things; the High Renaissance was the fulfilmentの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...This Perugino type, used in all his paintings, is welldescribed by Taine as a "body belonging to the Renaissance containinga soul that belonged to the Middle Ages...   This Perugino type, used in all his paintings, is welldescribed by Taine as a body belonging to the Renaissance containinga soul that belonged to the Middle Agesの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He wasthe Faun of the Renaissance, the painter with whom the beauty of thehuman as distinguished from the religious and the classic showed atits very strongest...   He wasthe Faun of the Renaissance, the painter with whom the beauty of thehuman as distinguished from the religious and the classic showed atits very strongestの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...And inthis very feature he was one of the first men in Renaissance Italy topaint a picture for the purpose of weaving a scheme of lights anddarks through a tapestry of rich colors...   And inthis very feature he was one of the first men in Renaissance Italy topaint a picture for the purpose of weaving a scheme of lights anddarks through a tapestry of rich colorsの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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