...Sadly he must squeeze the colour from his brush, and dip it into the gray pigments around him... 
(AKA Ralph Iron) Olive Schreiner 「The Story of an African Farm」
...All the pigments usedby the modern Tusayan Indians were found in the intramural burialalready described...
Jesse Walter Fewkes 「Archeological Expedition to Arizona in 1895」
...These are often very roughlymade, and in some cases contained pigments of different colors...
Jesse Walter Fewkes 「Archeological Expedition to Arizona in 1895」
...They are painted with green and black mineral pigments, the formerof which had undoubtedly done much to preserve the soft wood ofwhich they were manufactured...
Jesse Walter Fewkes 「Archeological Expedition to Arizona in 1895」
...The pigments are alsosometimes applied in a gum-water vehicle, but work so done, it hasbeen urged, is not nearly so durable as that done in varnish or oil...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...If the pigments are ground in anaqueous vehicle of strong isinglass size and honey instead of gumwater the work would not be much inferior to that executed with othervehicles...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...Many white pigments, such as zinc oxide, zinc sulphide,calcium carbonate, barium carbonate, calcium sulphate, lead white,etc...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...This is one of the pigments for blacklacquer, but does not give a brilliant colour, therefore it is betterto prepare the black lacquer by adding iron powder or some compound ofiron to the lacquer...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...Almost all pigments other than the above-mentioned are blackened bycontact with lacquer or suspend its drying quality...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...Carbon, in one form or another, is the base of all black pigments...
William N. Brown 「Handbook on Japanning: 2nd Edition」
...Others have not unreasonably supposed that when pigments are locked upin varnishes and oils, they are safe from all possibility of change...
George Field 「Field's Chromatography」
...The foregoing circumstances, added to the variableness of pigments bynature, preparation, and sophistication, have often rendered theireffects equivocal, and their powers questionable...
George Field 「Field's Chromatography」
...The first is that of having as few pigments as possible; and consists,when carried to the extreme, in employing the three primary coloursonly...
George Field 「Field's Chromatography」
...At the same time, it is quite possible for the artist to multiplyhis pigments unnecessarily...
George Field 「Field's Chromatography」
...Compound pigments like these may most frequently bedispensed with, in favour of hues and tints composed extemporaneously oforiginal colours upon the palette...
George Field 「Field's Chromatography」
...In the early periods of art,when the palette was chiefly confined to native pigments, the paintercould not very well go wrong...
George Field 「Field's Chromatography」
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